Meeting Point: Shandy Hall

A Window For Shandy Hall © Jonathan Turner

A Window For Shandy Hall © Jonathan Turner

Inspired by the marbled page in Laurence Sterne’s The Life and Opinions of Tristram Shandy, Gentleman, and the extemporary techniques of suminagashi, Anne Vibeke Mou marbled by hand a window for Shandy Hall using the refracted sunlight to reflect the passage of time often referenced by Sterne.

Watch a video of A Window for Shandy Hall

  • Facts

    Title A Window for Shandy Hall
    Historical Sites Shandy Hall
    Lead Artists Anne Vibeke Mou
    Artwork Installation
    Partners / Stakeholders Shandy Hall, Laurence Sterne Trust, Arts&Heritage and Arts Council England’s Museum Resilience Fund
    Budget £8000.00
    Development 3 months
    Dates 1 June - 30 September
  • Description


    Anne Vibeke Mou © Jonathan Turner

    Anne Vibeke Mou © Jonathan Turner


    A Window for Shandy Hall was part of the Meeting Point project led by Arts&Heritage, which saw nine new contemporary art installations at four museums in the North East and five museums in Yorkshire during 2016. Meeting Point is funded by Arts Council England’s Museum Resilience Fund.

    Shandy Hall in Coxwold was the home of author Laurence Sterne, who lived there in the 1700s. Laurence Sterne was the author of ‘The Life and Opinions of Tristram Shandy, Gentleman’, as well as being the vicar of Coxwold, near York. While living at Shandy Hall he also wrote ‘A sentimental journey through France and Italy’, although he died before this story could be completed. These two works have given him an international reputation.

    Patrick Wildgust, Curator of Shandy Hall, said: “Shandy Hall is the place where Laurence Sterne lived and worked as a writer. He told the story of Tristram Shandy using startlingly modern visual devices, not just text, and Anne Vibeke has responded to this in her artwork.”

    One of the recurring themes in Sterne’s books is the passing of time and this influenced Anne Vibeke Mou.

    “In a way, I am using sunlight to draw onto the window of the dining room in Shandy Hall. I’m using an ancient Japanese form of marbling to capture unique, one-off ink patterns. I’m transcribing those patterns to individual panes of glass which are etched by hand with a diamond, creating tiny fractures in the glass so that the sunlight is trapped and the window holds patterns which change as the sun moves” Anne Vibeke Mou

    A Window for Shandy Hall reflects the author’s use of marbled pages in his books, which turned each book into an artwork in its own right.

    Anne Vibeke Mou worked with a York-based stained glass conservator, Barley Studio, who helped to install the piece in Shandy Hall.



    Shandy Hall © Jonathan Turner

    Shandy Hall © Jonathan Turner


    • To reveal and reinterpret the Life and Works of Tristram Shandy
    • To engage with local craftsman to realise the project


    Anne Vibeke Mou © Jonathan Turner

    Anne Vibeke Mou © Jonathan Turner

    Arts&Heritage supported the nine participating museums throughout the process, sharing knowledge of presenting contemporary art projects and commissions in non-traditional art spaces.

    A networking event between the participating museums and 40 artists from across the UK took place at BALTIC Centre for Contemporary Art and visits to artists’ studios were arranged. Museum teams also met with peers at other properties to learn how they successfully delivered contemporary art projects at their museums and heritage sites.

    All museums developed their own Artist’s Brief. Following the networking event artists were invited to send in an expression of interest to museums that interested therm.

    Three artists were shortlisted by each museum to draw up a more detailed proposal and were paid £500 each


    Information to follow


    £8,000 to include all materials, travel and installation costs

    £500 paid to each of 3 artists shortlisted

  • Audience Engagement


    • The commission is being used to raise the profile of Shandy Hall to the local audience and to attract new audiences
    • To attract contemporary visual artists to reinterpret Shandy Hall
    • To develop and build a regional and national audience for the Meeting Point project commissions

    A marketing campaign for the Meeting Point project was led and delivered by Emma Pybus and David Brookbanks.

    The Meeting Point project was documented by Jonathan Turner and Peter Spence


    Information to follow

  • Artist Information

    Anne Vibeke Mou © Jonathan Turner

    Anne Vibeke Mou © Jonathan Turner


    Anne Vibeke Mou is a Danish artist based in Newcastle upon Tyne. Her work involves drawing, sculpture and engraving on glass, often using repetition, intuition and chance to create complex surface variations, which unfold over time.

    Anne Vibeke Mou (b. 1978, Denmark) studied at Glasgow School of Art and Royal College of Art, London and lives and works in Newcastle upon Tyne. She has exhibited nationally and internationally including residencies at the Academy of Arts, Architecture and Design in Prague, Upernavik Museum, North West Greenland and the National Glass Centre, Sunderland. A privately commissioned window for St Johns Church, Healey in Northumberland won the Art and Christianity Award 2011. As a co-curator, exhibitor and editor Anne Vibeke organised Chance Finds Us (2014), an exhibition and catalogue of works by eight artists from the North East for Mima, Middlebrough.